"Chapter XVII. TOWARD A UNIFIED FIELD IN CRITICAL STUDIES".
The Collective Dream in Art: A Psycho-Historical Theory of Culture Based on Relations between the Arts, Psychology, and the Social Sciences, Cambridge, MA and London, England: Harvard University Press, 1957, pp. 306-327.
https://doi.org/10.4159/harvard.9780674729223.c22
(1957). Chapter XVII. TOWARD A UNIFIED FIELD IN CRITICAL STUDIES. In
The Collective Dream in Art: A Psycho-Historical Theory of Culture Based on Relations between the Arts, Psychology, and the Social Sciences (pp. 306-327). Cambridge, MA and London, England: Harvard University Press.
https://doi.org/10.4159/harvard.9780674729223.c22
1957. Chapter XVII. TOWARD A UNIFIED FIELD IN CRITICAL STUDIES.
The Collective Dream in Art: A Psycho-Historical Theory of Culture Based on Relations between the Arts, Psychology, and the Social Sciences. Cambridge, MA and London, England: Harvard University Press, pp. 306-327.
https://doi.org/10.4159/harvard.9780674729223.c22
"Chapter XVII. TOWARD A UNIFIED FIELD IN CRITICAL STUDIES" In
The Collective Dream in Art: A Psycho-Historical Theory of Culture Based on Relations between the Arts, Psychology, and the Social Sciences, 306-327. Cambridge, MA and London, England: Harvard University Press, 1957.
https://doi.org/10.4159/harvard.9780674729223.c22
Chapter XVII. TOWARD A UNIFIED FIELD IN CRITICAL STUDIES. In:
The Collective Dream in Art: A Psycho-Historical Theory of Culture Based on Relations between the Arts, Psychology, and the Social Sciences. Cambridge, MA and London, England: Harvard University Press; 1957. p.306-327.
https://doi.org/10.4159/harvard.9780674729223.c22
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